Alexis Giles

Download Now Server 1 Download Now Server 2 Download Now Server 3 Bonny is a family of decorative serif fonts, designed for display typography. The letterforms are very condensed. They also contain a lot of stroke-contrast. Bonnys thin strokes often terminate in flourishes; these flourishes pair well with the typefaces serifs, which are both thin and short. Bonnys uppercase letters are very top-heavy; the upper halves of B, E, F, H, K, M, R, S, and X are so large that they look almost like caricatures. This feature is carried over the some of the lowercase letters, too. For example, Bonnys a, c, f, g, k, r, s, t, y, and z are all extravagant and lovely. The v and w have calligraphic flourishes on their right-hand sides; similar expressions appear throughout rest of the the typeface, too. Each font includes 13 f-ligatures. An alternate j may be automatically substituted in...

Download Now Server 1 Download Now Server 2 Download Now Server 3 Neptune is a large family of geometric sans serif fonts. Its designer Gaetan Baehr has created 12 styles: six different weights, ranging from Extralight to Extrabold. Each has an upright and an oblique font on offer. Letters in all of Neptunes weights are drawn with virtually mono-linear strokes. Its lowercase letters have a tall x-height, but still leave enough room for the fonts diacritical marks. These are actually quite large; theyll always be noticed, even in small sizes. Neptunes a and g both have single-storey forms. The dots on the i, j, and diacritics are round, as are the punctuation marks, too. Despite being a geometric sans, Neptune features letters that break away somewhat from what previous fonts in that style have offered. The Qs tail has been simplified into a short, vertical stroke. The str...

Download Now Server 1 Download Now Server 2 Download Now Server 3 Demo is a flat-sided, technoid-style sans serif family. It has ten fonts on offer; thats five different weights, each with a companion italic. The italics are really obliques, differentiating themselves from texts set with the upright fonts by their slant. However, rather than calling the italic fonts slanted versions of Demos upright fonts, we should rather say that Demos upright fonts are straightened-up italics. Much of the letter construction in the Demo typeface is actually italic, meaning that it is inspired by handwriting. And this despite its being a sans serif with an almost futuristic appearance. The a and g in Demo are both single-storey, but the combination of curves and corners in these two letters is right out of a 16th-century Italian chancery. The other notable feature of Demo is the stron...

Download Now Server 1 Download Now Server 2 Download Now Server 3 Rion is a high-contrast modern, or Didone-style font family, with a calligraphic flourish. It is intended for typesetting headlines in editorial design settings, as well as signage, the larger texts in exhibition graphics, or any other place where you need big, elegant-looking type. Rion takes inspiration both from straight-axis nineteenth century typefaces and pointed-pen calligraphy. Its letterforms contain a high degree of stroke-contrast; this gives them a look of sophistication. The family includes six weights, ranging in style from Light through Black. Each weight has both an upright font and an italic on offer. The fonts default numerals are proportionally-spaced oldstyle figures. Lining figures are also available, via an OpenType feature. Rions characters are all a bit condensed; this narrow feeling ...

Download Tara Fonts by Indian Type Foundry Tara is a family of serif fonts designed for immersive reading. Its design considers a tall x-height, balanced with high contrast letter-forms and wedge-shaped serifs that propose an elegant character functional at reading sizes. The axis of stress running through the letters is almost vertical; however, Tara is inspired by oldstyle typefaces, characterized by their use of diagonal axes. The family includes four weights that range from Regular through Bold with matching italics. Many of Taras lowercase letters retain calligraphic traces in their details, such as the terminal on the upright lowercase a and the ear of the g. The italics contain a few dozen swash alternates, for use in headlines, titles as well as logo designs. All of the fonts include small caps, 14 f-ligatures, and case-sensitive punctuation. The default numeral style is set at proportional oldstyle figures with tabular and lini...

Download Now Server 1 Download Now Server 2 Download Now Server 3 Interlink is a single-weight, all-caps stencil typeface designed by the French designer Julie Soudanne. Its forms are monolinear, and they have the feeling of a contemporary-style sans serif. Interlinks letters are nice and geometric, but they are not mono-width. Nevertheless, Soudanne constructed many of the characters so that they feel like they might be equally wide, even though they are not. Aside from the stencil-optic, Interlinks best feature is its unique series of 68 ligatures. This large set includes both two-letter and three-letter ligatures. The OpenType Ligatures feature is so important to this design that the letters ability to link-up to each other is referenced in the typefaces very name: Interlink is, basically, a palette of inter-linking letters for designers to use in display sizes. Inter...

Download Now Server 1 Download Now Server 2 Download Now Server 3 Baro is a family of seven sans serif fonts. Its style is geometric, and its letterforms are all-caps. Some the Baro fonts can be layered overtop of one another, for chromatic typesetting. The base style of the family is the Baro Plain font; all of its characters are comprised of thick, monolinear strokes. Baro Plain can be used on its own as a very heavy geometric sans, or it can be the placed as a base behind other Baro fonts (chromatic typesetting relatively simple to do in Adobe Creative Suite applications: just repeat the same text on multiple layers, use a different font on each layer, and make the text on each layer have a unique color). The characters in the Baro LineOne font are made up of very thin strokes. The letters dont sit on a consistent, either, but rather bounce up and down along the line of text. In Baro LineTwo, each character is drawn with two...

Download Now Server 1 Download Now Server 2 Download Now Server 3 HongKong is a large, futuristic-style sans serif family. The letters have straight-sides even e and o, for example and the whole typeface has a rather minimalistic design. Many typical sans serif features have been reduced somewhat. Quite a few lowercase letters are spurless. The a still has a double-storey structure, but it is without the final spur on its bottom right. Other features of the fonts include a rounded-top A and a single-story g. HongKong includes 14 fonts. These are seven different weights, each with a companion italic. The italics are obliques. Like the upright fonts, all of their letterforms are drawn with mono-linear strokes. Each font includes alternate, even more-rounded versions of the letters M, N, V, W, X, Y, Z, v, w, x, y, and z plus all of the diacritic characters based on these. HongKongs lowercase letters have a very tall x-height, and t...

Download Zesta Fonts by Indian Type Foundry Zesta is a family of high-contrast serif fonts, intended for use in display typography. Their design is modern, or Didone in style, meaning that its letterforms look like those used in France during the revolutionary, imperial, and restoration eras (late-1700s/early-1800s). This style of type is instantly associated with fashion and design for high-end cosmetic products. It is also used extensively in magazine design. The family includes 10 styles. There are five weights, ranging Light through Black. Each weight has an upright and and italic font on offer. The upright fonts feature letterforms drawn with vertical axes of stress. Ball terminals play a prominent design role in both the upright and italic fonts. The hairlines in all of the fonts are very thin. The thicker strokes just keep getting heavier as one moves up the weight scale, and this is the driver behind the typefaces high-contrast design. The lowercase letters ...